Monster Monday: the Dearg-Due

There is a prevailing custom in some older cultures, one in which you take extra care to cover the graves of the recently deceased with stones (or boulders). The reason for which might be as simple as not having any dirt around to backfill the grave, or, if you live in Ireland, it’s a lesson learned from ages passed.

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Her name is long forgotten, but her legend lives on. Not for the beauty she radiated in life, but for the terror she harvested in death. She is the Dearg-Due, the Red Blood Drinker. She was once a legendary beauty, born to a family of means and highly sought after. Her heart, though, belonged to a peasant, which ultimately brought about her doom.

The young lady’s family had come into hard times, and her father wished to marry her off to a wealthy family to bring much needed funds into his coffers. A bride-price was settled, and the unfortunate woman was shipped off to her new husband’s estate.

Sadly, the groom was a terrible man. He relished acts of cruelty, and loved to inflict harm on his new bride. He would cut her perfect skin, and delight in the contrast of ruddy crimson against her pale, flawless flesh. When he wasn’t abusing her, he locked her away in a tower so that none but him could see her.

The young woman held out for hope that her beloved would mount a rescue, or that her father would come to his senses and ask for the marriage to be annulled. She struggled in this manner for several months, oblivious to the fact that her father was drunk with his new-found return to wealth, and that her beloved had perished in a mysterious fire.

Eventually, her will to carry on was extinguished. She stopped eating. She stopped drinking. She no longer resisted the cruelty inflicted upon her by her spouse. She renounced her faith, renounced her heart, and slowly, painfully, ceased to live.

The people of her village were devastated. Some, perhaps, knew what had been happening to the young woman but kept their mouths shut, and were now reflecting on their own complicity in her death. She was buried, and she was mourned. A great depression settled over the area.

The very night she was buried, a young man disappeared from his bed. His brother, whom he shared a room with, said that he dreamt of a beautiful song coming from the nearby woods, and a soft, soothing voice urging him to come and dance. He dreamt that his brother slipped on his shoes and climbed out the window, then stumbled off into the misty woodlands.

Several days passed, and the young man remained missing. Search parties were sent out, and returned without news. Finally, the boy was found; pale, lifeless and limp, in a ditch that ran alongside the graveyard. His body had been drained of blood, countless lesions and cuts marked the skin all over his arms and chest.

Panic settled over the village; one of their own had been murdered, and the graveyard had been vandalized as well. The grave of the greatly wronged beauty had been defiled, and her corpse was nowhere to be seen. People began to whisper of dark forces being at work, and wished ever harder that they had intervened before the young woman had perished.

The tragedies that befell that tiny village went on for years. Young men would wander out into the mists, never to be seen again. Children would sit up from their sleep, muttering about the wonderful songs they heard in their dreams, and struggle to leave their homes. Newly born babes would disappear in the night. Search parties were sent out day after day, but they, too, began to go missing.

Those poor folk that survived knew in their hearts that the creature that preyed on their young was one of their own creation, a fiend born of neglect and silence in the face of cruelty.

The little village grew smaller, the fields grew fallow. The woods began to creep closer to people’s homes. The water in the streams tasted of copper. Eventually, the people of the village had the good sense to flee, and never return.

Some say the Dearg-Due is still there, wandering the woods and calling out, singing a haunting siren’s song of loss, tragedy and yearning.

One thing is certain, though; the legacy of the Dearg-Due can still be seen to this day, at cemeteries all over the country. Graves, once filled, are topped with stones, all to discourage the recently dead from returning to settle the grievances left from life.

Dearg-Due
©2016  Leigh George Kade

The State of My Union, part One

It’s been a roller-coaster of a month. Sales on Grimmleigh’s Beastly Oddities are still clocking in at a better than (I) anticipated rate, which is really super exciting. The down side? Well, I really need to get more work done on the follow-up book, Grimmleigh’s Classic Monsters.

I have two completed pages, and I am applying lessons learned from the first book to these images. First off, I’m drawing the backgrounds separately, which is allowing me to experiment with the sizing of the characters on the finished page. This should cut down on characters getting clipped during the print process, since I am going for a full bleed on the layout.

Here’s the background for a daycare center:

Messy Room

Now, with the Vampire Brides from last week:

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Concept sketches are done for another 8 monsters, so I will be spending the next few weeks getting those ironed out, backgrounds rendered, then layouts. I aim for 23 coloring pages in each book, plus stories, so it’s a bit of a process!

Progress on Grimmleigh’s Morbid Stories for Dreadful Children is coming along nicely, with page 23 posting to Tapastic last night, and pencils for page 24 and 25 in the rough stage. I am hoping to get back to a weekly posting schedule with that story!

Going back through previous pages, I realized that I need to go back and re-work a number of pages. Some of the previous pages are formatted differently, and I need to get a unified font size in place. Luckily, that will just make everything flow better, so I am happy about that. I also realized that I forgot to even introduce the Miller, which is probably just a smidge confusing.

The real challenge for this next week is going to be Salt Lake Comic Con. I have a ton of panels, three live recording sessions of Geekshow, and a role playing game scenario to create. That being said, I’m setting a personal goal to keep daily posts going here!

Video: The Miller’s Daughters, page 23

The other big project around the labs has been Morbid Tales for Dreadful Children, which has been nearly a year in the making. The most recent page finds the Rake taunting little Ophie Miller; breakdowns of the pencils for this page, as well as the script, were posted earlier this week.

Once I have my pencils done for a page, I scan the image in and do the inks and shades on the iPad Pro. With this page in particular, I took the time to add some atmosphere to the shading. I really want to add a sense of beauty to the setting, even though it is full of mayhem and murder.

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Here’s a time-lapse video of the process, I hope you enjoy it! Just a word of caution, though: I uploaded the video in HD, so it might take a moment or two to load!

Comments and questions are more than welcome!

Batman Revisited: Victor

This week we’ll look at Victor Fries, another down on his luck resident of Gotham who has had several unfortunate run-ins with Bruce Wayne’s alter-ego.

Like Selina and Harvey before him, Victor has taken to hiding from the authorities in the slums of the city. Police are afraid to do more than cursory patrols of the area, and even the Vigilante sticks to the outer fringes of the slums to enact his “crusade”.

Dr. Victor Fries was a brilliant Cryogenics expert who had pioneered a life-saving procedure that could suspend a person in “deep freeze” until cures for their diseases could be found. Eager to start live trials on human subjects, Victor put his terminally ill wife Nora through the (ultimately successful) procedure.

Lucius Fox, CFO of Wayne Industries, found the cryonics pod that Nora had been suspended in. Using his discovery as leverage, Fox forced Victor to use his knowledge of super-cold elements to plunder riches from unbreakable safes around Gotham. During one of these heists, a chemical reaction caused an explosion that doused Fries in a volatile compound that dropped his body temperature to near arctic extremes.

Surprisingly, Victor Fries did not die. Unfortunately, though, his sanity was shattered. His extreme body temperature makes him fragile in typical Gotham weather, which has caused him to retrofit an old Soviet era diving suit into a walking cryogenics lab. Dubbing himself “Mister Freeze,” Victor haunts the streets and alleys of the Gotham slums, plotting his revenge against the man who destroyed his life.

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Workbench Wednesday: Sewer Edition

Odin’s Day again? Time for another look at what’s on the workbench!

Work on Morbid Stories for Dreadful Children continues, with Volume One: The Miller’s Daughters about two-thirds finished. Here are the pencils for page 23:

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I am laying in digital inks now, and will feature a time-lapse film of the finished art on Friday! For a look at the scripted breakdown of page 23, take a look here!

The next coloring book is underway as well, with pencil concepts making way for some background art. First up, a Nosferatu who has the unfortunate job of Sewer Inspector:

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Here’s the finished inks for the sewer:

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Rough concept for the Phantom of the Opera, who landed a terrible gig as a Karaoke DJ:

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These will be featured in Grimmleigh’s Classic Monsters (with terrible jobs), which I am expecting to have available in late September!

And these two are super rough speed sketches that I put together while watching old Hammer Horror movies the other night. The tree scene will probably be used with a vampire or in one of the fairy tales, and the graveyard will be for a Slavic grave goblin:

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I really am drawn to floating apparitions in the woods…

Thanks again for stopping by! If you like what you see, feel free to click that “follow” button! I update nearly every day, and subscribers get a handy e-mail notification when new content is posted!

Have a great one!

 

 

 

 

 

Monster Monday: the Shishiga

Russia is lousy with monsters. Seriously. You can’t swing a wet kobold without hitting some sort of gremlin or beastie. And the farther you get from the cities, the more bizarre and unusual the monsters get!

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The Shishiga is an aquatic goblin that haunts the swamps and lakes of Russian and Slavic regions. I’m not positive that the Shishiga actually goes as far as Western Europe, but I think it’s safe to say that any area with Baba Yaga legends probably has Shishiga lurking about and mucking up the waterways.

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Shishiga are not fond of clothing, they are described as being naked little fiends, with clammy white skin and tousled hair. The common Shishiga is most often seen sitting on a log or shoreline, muttering to itself and combing its hair. Sadly, this is also an omen that the person seeing the Shishiga is going to drown soon, or die of mysterious causes. Whether this death is caused by the Shishiga, or it is just acting as a messenger of death is unknown.

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Shishiga are notorious for harassing people, (a common goblinoid trait) and like to steal things from unwary people’s homes. The all-time favorite pastime of the Shishiga, though, is bringing misfortune to drunkards. Shishiga have been known to enter taverns and steal money, cause accidental lewdness, and manipulate a victim’s clothing so that their pants or shirts would fall off when they attempt to stand up. Some might say that drunks and cowards manufactured the Shishiga to pass the blame for their poor behavior, but those well versed in goblin psychology know the truth.

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The Shishiga artwork in this post are concept sketches for the Shishiga page in my upcoming coloring story book, Grimmleigh’s Mythic Horrors. My current book, Grimmleigh’s Beastly Oddities, is available on Amazon now.

 

 

Tea-Time with Tony Poulson

Tea Time? More like rambling lunatics at 2am. Tony Poulson is one of the nicest guys you could ever meet, and a really good illustrator, too. He was kind enough to talk with me last night about his work, movies, and the creative process.

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Hey, Tony! Thanks so much for taking a few minutes to chat with me tonight! I know you have a lot on your plate with Comic Con coming up, and your show at Watchtower starting in a couple of days…

Thanks for asking. Truly. I always tell Jimmy (one of my co-panelists on the Geekshow Podcast) when I see him (which is often recently) that GEEKSHOW is definitely fuel for creativity. Fun as shit and honestly like my younger years with my friends chit chatting about geek stuff (sadly mostly all those friends “like” the same stuff, but aren’t as entrenched like I am).

You have a show starting at Watchtower Cafe this week, why don’t we start with what you do artwise for the people who aren’t familiar with you yet?

Since getting into Comic Con 3+ years ago I created a series called Hand Over the Hero.  I take classic and current characters and literally draw them being handed over by their friends, counterpart, etc.  It was an accidental idea from a greeting card I created for my wife ages ago.  She’d always joke about wanting to take a kitty with us on a date (back then we only had one, Gypsy, and now we have a stampeding herd…for realz).  I drew a confused cat being handed over and said “here, take your damn cat” on the inside.  The card sat on a shelf for 4 years before I turned the same concept into this series.

Working on this tonight after my conversation with Cori and Mike (at Watchtower Coffee)  

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Is that El?

Yep

Nice! I love it!

Thanks! Gotta add the waffle.

Hahahaha!

You work primarily with markers, and I envy that. Markers can be unforgiving… What is your process like? Are you the “concept, execute” type, or do you have 50 plates spinning at the same time?

I love the process of laying down some color and moving on. Don’t get me wrong I dick up here and there and even get the dread bleed through onto other colors, but you work with it and you get good at covering up. I started with Markers in high school and honestly don’t recall why I picked them out of everything in the art store (insert awesome story here about rescuing a princess from utter death and her bestowing a set of the kingdom’s finest art supplies here).

Well, now that I think of it, Kat Martin and I used the most intoxicating markers in high school when we drew the school’s massive weekly calendar during my term as a student body artist. Yep, that was it. Markers were also easy to transport and “setup” anywhere I could carry my bag of supplies (unless you ask the TSA in Denver who had to shut down their screeners and call every available supervisor to check my suspicious bag of art supplies after Denver Comic Con…I mean it only looked like a homemade bomb the way i stack my paper and markers). I also love pairing them with Prismacolor pencils and a few highlight pens to give the whites the POP they need. And yes, I have an ungodly amount of projects going on at the same time.

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I’ve always loved the way you sling color. One of the first things I saw of yours was some Star Wars art you did, with Yoda at a bar. It was so elegant, yet simple, yet intricate… That can be really hard to pull off!

I see your dad helping you out at your booth during shows. Who’s the better salesman?

Him for sure.  He’s the life of the Con.  73 years old and the man will stand for 3 days straight, never complain, and talk to anyone and everyone. It’s so fun to be with him selling something… he’s been my #1 fan of for all these years. I used to go to trade shows with him so it’s cool to see it come full circle

Tony and Pops

I call this the “Gwen Stacy” question: All of your art is being dangled over the George Washington Bridge, and you can only save ONE piece. Which one is it?

MY art or what we own in our collection?

BOTH.

I’d say I’d save my Silvia Ji Original piece because it was the real first art piece I purchased and as far as my own work – GRAB THE HARD DRIVE – I don’t know what to save.  I’d say I’d pick my piece from that Star Wars show you actually had at Frisch – it was my first group show, the first time I cut out and mounted my art, and it’s C-3PO and R2 being denied at the Star Bar because of the oldest rule in the book “no shirt, no shoes, no droids, no service.”

I was really blown away by them (the Star Wars pieces). I almost bought them about a thousand times!

Thanks for sharing the Eleven sketch with us! Stranger Things was awesome, and a great throw-back to some classic movie moments. What is you favorite classic horror or sci-fi movie? (at this point, Tony says “waffle is go” and posts this pic:

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Now that is hard to pinpoint – but, not so much sci-fi, but Big Trouble in Little China is one of my all-time movies. Netflix suggests I watch it since recently viewing from the night before. No joke.

OH MY GODS. I adore that movie more than both of my kids. I love that Jack Burton is actually the idiot sidekick. It’s my favorite Carpenter movie.

I recall you loving that film.  Also, Swamp Thing.  I remember watching that on TV in my parents house back in the 80’s and remembering how disturbing it was when everyone starts to turn into crazy creatures.  Practical effects still make me all giggly inside because it’s fucking real!!! Bubbling skin is literally bubbling skin (well make-up skin), but still!!

Who are your favorite illustrators working today?

My friends, Jake Parker and Alex Solis.

Jake is so good! I fanboy so hard whenever I see his stuff. I really love the Society of Visual Storytelling site, he does a lot of great classes on there.

I can truly say I pay $15/month and have only watched 1 class. wtf is wrong with me???

I have a subscription, too. I was about an hour into the comic book class, and Jake says “you’ll learn a lot from just drawing, too.” and I was gone. Still pay the sub, because I know I’m going to dive back in head first when I run out of steam on these 15 projects.

Thanks for talking with me about your work, Tony! Other than the Watchtower show, where can people check out your art?

Instagram will give you the live stream @thetonus and my site has most of my current work for sale thetonus.com.  I also have apparel available at thetonus.threadless.com and that is always a work in progress to get the right print on the right product.

Flash

Seriously, Tony! Thanks so much for talking with me tonight. Have a good one!

Hold on one sec…

whatcha think?? (final pencils for El drawing pop up on screen)

El3

Hahaha! That is so great!

Suddenly, Tony and I both realize that Art Drop Day is two weeks away and panic. Well, I panicked. I think Tony kept drawing and fired up Big Trouble in Little China again!

Tony Poulson’s Hand Over the Hero series can be seen at Watchtower Cafe’s Gallery of Rogues (1588s State Street) from August 19th through September 9th!